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Julio Bashmore - Knockin' Boots

Name: Julio Bashmore - Knockin' Boots
Item: Julio Bashmore - Knockin' Boots
Author: Andrew Ryce

Veröffentlicht
Aug 7, 2015
Worte
Andrew Ryce
Label
Broadwalk Records
N/A
Veröffentlicht
July 2015
Genres
House · Pop

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Bristol producer Matt Walker has been on an unlikely path to stardom. First he blew through the club scene with "Battle For Middle You" and "Au Seve." Then, with his Jessie Ware collaborations, he knocked on the pop world's door, leading to a deal with PMR and his own label, Broadwalk. His short few interviews give the sense that none of this was on purpose: "Au Seve" was a surprise hit, while the work with Jessie Ware pre-dated his wider recognition by several years. The road from "Au Seve" to Julio Bashmore's debut album has been a bumpy one, with an inconsistent hit rate leading up to "Duccy" and its famously harsh internet reaction. Knockin' Boots is a much smoother ride, finding common ground between his dual sensibilities with only a few rough patches along the way. Knockin' Boots kicks off with a run of strong pop-house tunes, exactly the kind you'd expect from a PMR artist. Where label mates Cyril Hahn and Disclosure make sparkly, radio-friendly fodder, Walker uses the basics of house and disco for his tunes, and builds them methodically, like a bricklayer—there's a chunky kick drum here, a breezy string sample there, maybe a cheeky gospel sample. "Holding On" is among the strongest examples of this approach, essentially based on a single loop, some disco kicks and a catchy vocal from Sam Dew. The sampling is rudimentary, but Walker has never been flashy. His gift for repetitive, addictive hooks sets him apart—it's what makes him good as a producer of both pop and club music. Those simple pleasures are all over Knockin' Boots, making even its kooky moments ("Use me like a credit card" is a lyric marring the otherwise lovely "Let Me Be Your Weakness") easier to swallow. In fact, Walker's vocal tunes have become so strong that the instrumentals on Knockin' Boots feel undercooked in comparison. The standard filter-funk of "What's Mine Is Mine" and the bland repetition of "Bark" (which, yes, uses a barking dog as its melodic lead) are one-dimensional compared to the richer cuts around them. Momentum picks up with the deliciously oddball "Umuntu," featuring South African vocalist Okmalumcoolcat, and the pace continues from there. Since starting Broadwalk, Walker has been trying to balance club music and pop music, though it's when he combines the two that he really succeeds. Take "For Your Love": freefalling into a decadent chorus after the more rigid verse, the song aims at the dance floor as well as the radio with help from a Seven Davis Jr. vocal. Sometimes Walker can have his cake and eat it, too, and on the best moments of Knockin' Boots, he does.
Tracklist